The last five years have seen an increase in the stand on violence in movies.As action
movies with their big stars are taken to new heights every year, more people seem to
argue that the violence is influencing our country’s youth.Yet, each year, the amount of
viewers also increases.This summer’s smash hit Independence Daygrossed more money than any other film in history, and it was full of violence.The other summer hits included Mission: Impossible, Courage Under Fire, and A Time to Kill.All of these movies contained violence, and all were highly acclaimed.And all, with the exception of
Independence Day, were aimed toward adults who understood the violence and could
separate screen violence from real violence.There is nothing wrong with having violence in film.If an adult wants to spend an evening watching Arnold Schwartzenager Save the world, then he should have that right.
Film critic Hal Hinson enjoys watching movies.In fact, he fell in love with
movies at the same time that he remembers being afraid for thefirst time.He was
watching Frankenstein, and, as he described in his essay “In Defense of Violence,” it
played with his senses in such a way that he instantaneously fell in love with movies..
The danger was fake, but Hinson described that it played with his senses in such a way
that he almost instantly fell in love.Hinson feels that most movie lovers were incited by
the same hooks as himself.Movies were thrilling, dangerous, and mesmerizing (Hinson
Hinson says that as a culture, we like violent art.Yet this is not something that is
new to today’s culture.The ancient Greeks perfected the genre of tragedy with a use of
violence.According to Hinson, theybelieved that “while violence in life is destructive,
violence in art need not be; that art provides a healthy channel for the natural aggressive
forces within us” (Hinson 585).Today, the Greek traged…

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